Landscape Machine in Space
Landscape Machine in Space
The production of a landscape in space. How can the universe be further decorated with landscapes where people can live?
- Size: 75 X 115 X 1,5 cm 45,3 X 29,5 X 0,59 inch H X W X D
- Painting: Acrylic on canvas
- Original, without frame
- Signed
- Comes with a certificate of authenticity
- Finished march 2021
Fortunately, this painting was painted with some delay.
At the start the subject of this painting was smaller than a dot. So the result would have been a hardly visible little dot on a canvas of 45,3 X 29,5 inch.
If the painting had already been painted in this dot phase, it would possibly not have been noticed at all. Kept in stock as a new canvas.
However, the condensed matter from the bigger rocket nose cone, which had to emerge itself from sheer nothingness in the first place, unfolds in a few moments and the result is the subject of this painting.
How this transformation works is not yet completely understood.
Later in this background message, the technical principle of complete matter compaction to 0 is explained in a simplified way. The famous "Zoo experiment" serves here as an example.
Sure enough there is plenty of space in space to allow an expansion after a contraction.
First the creation of the enormous machine and then the production of a living landscape. It's a magnificent process.
Everything is there: rocks, soil, crops, dwellings, living robots, living beings, people -although not visible- half-beings like humanoids and a casserole. How could this come about?
The living digital robots, beetles on wheels, that drive around in the foreground all have an inspection function.
Every digital activity by definition means control, inspection and espionage, because basically everything is recorded and archived indiscriminately down to the smallest details.
The gum chewing common cabin beetle, near the left tower, has something silly about it, but make no mistake, it is the seismic control unit of this landscape at all levels. With its chewing gum bubble it detects the smallest vibrations in the surroundings instantly and archives the collected data in the form of an extensive report in a nanosecond (a billionth of a second).
The leaning tower and the building with the three towers have come off particularly well, the origami department, in one of the buildings, confirmed.
Unfortunately there are no birds yet. They will come when the atmosphere has thickened a little more.
What we don't see is the number of real people already present in the buildings. They are already starting to wonder how they got there.
Some of them feel quite uncomfortable and are offered a cup of coffee for the moment.
It is bizarre that the making of this landscape in space comes from a group of people from the earth, who think that we as humans should have a habitat in space, too.
This landscape is a technology of our world, but unknown to the people who are present in these buildings. They hardly know that the earth exists.
Another surprise is the brown flying saucer that floats on top of the landscape machine, right above the thick rusty tube and to the left of the supply tanks. It looks more like the hat of an earth-colored mushroom. This classic flying saucer is indeed a reverse engineered retro model from a few hundred years ago and strangely enough it is still a mystery to everyone how this saucer exactly works.
The sleek missile in the background hardly needs any explanation. It is a supply missile designed at the same time as this entire system and will collect and deliver all kinds of useful materials from space. The fact that the rocket will develop speeds that will far exceed the speed of light, to perform its task, is no longer seen as a special feature.
For the newcomers in the buildings there is still plenty to study indeed.
They are unfortunate that they do not yet know the history of their own sudden existence, but they are in good hands.
This landscape - and the machine that produced it "out of the blue"-arose from the discussion a few centuries ago, about the relationship between software and hardware, which is necessary for a design.
Gradually, a number of brilliant scientists managed to write more and more software against less and less hardware within the same design.
At one point, without any significant hardware present and with trillions of software rules, they were able to re-create desirable forms of matter aided by their increasingly powerful, state-of-the-art super quantum computers.
The software describes and remembers the relevant matter down to the smallest particle that changes from matter into a sustainable radiation waveform. This means that the matter that makes up the object to be sent, is first transformed into a radiation form and then, upon receipt, is rebuilt in the opposite direction into even living matter. In this way the matter is “processed”.
Then they set up the world-famous experiment with a zoo.
The entire zoo was compacted to zero volume and weight and consisted only of this software, which could be easily dispatched. At the destination, the software was unpacked again, just before feeding time. The specialists were able to determine that the animals had not been harmed in any way whatsoever and they began to eat as eagerly as usual.
The difference between the people in the buildings in this painting and the zoo is that this entire landscape has been made new, including the human inhabitants! They suddenly started their existence at a given age level. That is clearly one mind-boggling step further!
The rolled out landscape in the meantime, is stabilizing itself.
The rolling stones on the left are not harmful to the beetles. The situation looks dangerous, but it is not. Gravity has yet to build up and that will take a while. Therefore the impact of even bigger stones is hardly a problem.
The bus gull – below in the middle- is worth mentioning. It's getting above the ground all the way.
The beetle-like bird on wheels has completed an extensive soil survey. The soil is of excellent quality.
The situation with the new people in the buildings is not getting any better. Some friendly managers go to the different departments to calm things down. They reassure people by having a chat with them.
Out on the rocky ridge, the three-wheeled green grasshopper-beetle-like insect is measuring mechanical features of the soil.
It produces green puffs of smoke from mere exertion. The structure of the ground is solid, of high quality, it writes.
The wheeled butterfly beetle, in front of the wall, flies very low over land and prepares for a first atmospheric inspection. First, the newly formed air layers will be mapped. Air samples will be taken. Also above the office buildings with the nervous people.
The blue beetle on top of the wall inspected the buildings.
The foundations of the buildings have also all been checked. It looks excellent. There are still some decisions to be made about the actual use of a number of buildings. The leaning tower is not a problem. It's nice for the variation. Ventilation and heating play a role in this.
The blue beetle already has a work plan.
The mouse like three wheeled beetle driving in the direction of the grasshopper-beetle is from the regulatory department. It has a high-pitched voice, but most of the time it keeps silent.
It is currently verifying the cadastral progress against the existing design drawing. It is a colossal measuring program. The individual growth of the grass for example is also included in this.
The three humanoids to the right in front of the large rocket nose cone are allowed to pause a little longer. They ordered a delicious casserole from a quality restaurant at their company's expense.
They are connected to this baking dish by thick power cables.
They have worked very hard. They are specialized in organizing and coaching.
The new people in de buildings have not yet met them.
The new people only have synthetic experiences.
They are still too new for real experiences, that has to grow.
They are provided with some data about the earth and history and that it is better today than it used to be.
Let alone that they can claim a pluriform frame of reference.
In that regard, things didn't quite go according to plan.
Now the humanoids come into action. During their break they made a plan. They will help the new people make chip implants for themselves. That can be done in an hour.
Simply start and explain that it is possible.
These new people are still vulnerable.
The chip presentation of the humanoids is well received.
After an hour or so, the first attendees are already starting to notice the benefits of the implant. It won't be long before everyone has the chip.
Then the new people start to laugh, everybody laughs. The people, the humanoids, the beetles.
They are very relieved and very happy. They now truly understand their own circumstance, and can start doing the things they can and like to do.
It becomes one big party. They are the happiest people in the universe.
Landscape Machine in Space
The production of a landscape in space. How can the universe be further decorated with landscapes where people can live?
- Size: 75 X 115 X 1,5 cm 45,3 X 29,5 X 0,59 inch H X W X D
- Painting: Acrylic on canvas
- Original, without frame
- Signed
- Comes with a certificate of authenticity
- Finished march 2021
Fortunately, this painting was painted with some delay.
At the start the subject of this painting was smaller than a dot. So the result would have been a hardly visible little dot on a canvas of 45,3 X 29,5 inch.
If the painting had already been painted in this dot phase, it would possibly not have been noticed at all. Kept in stock as a new canvas.
However, the condensed matter from the bigger rocket nose cone, which had to emerge itself from sheer nothingness in the first place, unfolds in a few moments and the result is the subject of this painting.
How this transformation works is not yet completely understood.
Later in this background message, the technical principle of complete matter compaction to 0 is explained in a simplified way. The famous "Zoo experiment" serves here as an example.
Sure enough there is plenty of space in space to allow an expansion after a contraction.
First the creation of the enormous machine and then the production of a living landscape. It's a magnificent process.
Everything is there: rocks, soil, crops, dwellings, living robots, living beings, people -although not visible- half-beings like humanoids and a casserole. How could this come about?
The living digital robots, beetles on wheels, that drive around in the foreground all have an inspection function.
Every digital activity by definition means control, inspection and espionage, because basically everything is recorded and archived indiscriminately down to the smallest details.
The gum chewing common cabin beetle, near the left tower, has something silly about it, but make no mistake, it is the seismic control unit of this landscape at all levels. With its chewing gum bubble it detects the smallest vibrations in the surroundings instantly and archives the collected data in the form of an extensive report in a nanosecond (a billionth of a second).
The leaning tower and the building with the three towers have come off particularly well, the origami department, in one of the buildings, confirmed.
Unfortunately there are no birds yet. They will come when the atmosphere has thickened a little more.
What we don't see is the number of real people already present in the buildings. They are already starting to wonder how they got there.
Some of them feel quite uncomfortable and are offered a cup of coffee for the moment.
It is bizarre that the making of this landscape in space comes from a group of people from the earth, who think that we as humans should have a habitat in space, too.
This landscape is a technology of our world, but unknown to the people who are present in these buildings. They hardly know that the earth exists.
Another surprise is the brown flying saucer that floats on top of the landscape machine, right above the thick rusty tube and to the left of the supply tanks. It looks more like the hat of an earth-colored mushroom. This classic flying saucer is indeed a reverse engineered retro model from a few hundred years ago and strangely enough it is still a mystery to everyone how this saucer exactly works.
The sleek missile in the background hardly needs any explanation. It is a supply missile designed at the same time as this entire system and will collect and deliver all kinds of useful materials from space. The fact that the rocket will develop speeds that will far exceed the speed of light, to perform its task, is no longer seen as a special feature.
For the newcomers in the buildings there is still plenty to study indeed.
They are unfortunate that they do not yet know the history of their own sudden existence, but they are in good hands.
This landscape - and the machine that produced it "out of the blue"-arose from the discussion a few centuries ago, about the relationship between software and hardware, which is necessary for a design.
Gradually, a number of brilliant scientists managed to write more and more software against less and less hardware within the same design.
At one point, without any significant hardware present and with trillions of software rules, they were able to re-create desirable forms of matter aided by their increasingly powerful, state-of-the-art super quantum computers.
The software describes and remembers the relevant matter down to the smallest particle that changes from matter into a sustainable radiation waveform. This means that the matter that makes up the object to be sent, is first transformed into a radiation form and then, upon receipt, is rebuilt in the opposite direction into even living matter. In this way the matter is “processed”.
Then they set up the world-famous experiment with a zoo.
The entire zoo was compacted to zero volume and weight and consisted only of this software, which could be easily dispatched. At the destination, the software was unpacked again, just before feeding time. The specialists were able to determine that the animals had not been harmed in any way whatsoever and they began to eat as eagerly as usual.
The difference between the people in the buildings in this painting and the zoo is that this entire landscape has been made new, including the human inhabitants! They suddenly started their existence at a given age level. That is clearly one mind-boggling step further!
The rolled out landscape in the meantime, is stabilizing itself.
The rolling stones on the left are not harmful to the beetles. The situation looks dangerous, but it is not. Gravity has yet to build up and that will take a while. Therefore the impact of even bigger stones is hardly a problem.
The bus gull – below in the middle- is worth mentioning. It's getting above the ground all the way.
The beetle-like bird on wheels has completed an extensive soil survey. The soil is of excellent quality.
The situation with the new people in the buildings is not getting any better. Some friendly managers go to the different departments to calm things down. They reassure people by having a chat with them.
Out on the rocky ridge, the three-wheeled green grasshopper-beetle-like insect is measuring mechanical features of the soil.
It produces green puffs of smoke from mere exertion. The structure of the ground is solid, of high quality, it writes.
The wheeled butterfly beetle, in front of the wall, flies very low over land and prepares for a first atmospheric inspection. First, the newly formed air layers will be mapped. Air samples will be taken. Also above the office buildings with the nervous people.
The blue beetle on top of the wall inspected the buildings.
The foundations of the buildings have also all been checked. It looks excellent. There are still some decisions to be made about the actual use of a number of buildings. The leaning tower is not a problem. It's nice for the variation. Ventilation and heating play a role in this.
The blue beetle already has a work plan.
The mouse like three wheeled beetle driving in the direction of the grasshopper-beetle is from the regulatory department. It has a high-pitched voice, but most of the time it keeps silent.
It is currently verifying the cadastral progress against the existing design drawing. It is a colossal measuring program. The individual growth of the grass for example is also included in this.
The three humanoids to the right in front of the large rocket nose cone are allowed to pause a little longer. They ordered a delicious casserole from a quality restaurant at their company's expense.
They are connected to this baking dish by thick power cables.
They have worked very hard. They are specialized in organizing and coaching.
The new people in de buildings have not yet met them.
The new people only have synthetic experiences.
They are still too new for real experiences, that has to grow.
They are provided with some data about the earth and history and that it is better today than it used to be.
Let alone that they can claim a pluriform frame of reference.
In that regard, things didn't quite go according to plan.
Now the humanoids come into action. During their break they made a plan. They will help the new people make chip implants for themselves. That can be done in an hour.
Simply start and explain that it is possible.
These new people are still vulnerable.
The chip presentation of the humanoids is well received.
After an hour or so, the first attendees are already starting to notice the benefits of the implant. It won't be long before everyone has the chip.
Then the new people start to laugh, everybody laughs. The people, the humanoids, the beetles.
They are very relieved and very happy. They now truly understand their own circumstance, and can start doing the things they can and like to do.
It becomes one big party. They are the happiest people in the universe.